Derivan Matisse, Dry Mediums, Glass Beads 1.5

Derivan Matisse, Dry Mediums, Glass Beads 1.5

Marsoni

M251S

$12.95

Get it in 3 business days with 1 day shipping. Friday, May 29

Derivan Matisse, Dry Mediums, Glass Beads 1.5Diese glatten, runden Glasperlen knnen auf Gemlden, Mischtechniken oder Collagen verwendet werden. Fr beste Ergebnisse mit Gel Medium MM4 oder MM7 Glanzlack und Glanzmedium mischen, um den Glanz zu erhalten. Sie knnen auch in das auf die Oberflche aufgetragene Medium getropft werden. Da sie absolut glatt sind, wird empfohlen, Kunstwerke mit diesen Glasperlen entweder mit MM7 Gloss Varnish und Gloss Medium oder MM14 Gloss (auf Turps Basis) zu

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Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.

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Reviewed in the United States on April 21, 2002

Verified Purchase

Silvia

Charlottesville, US

★★★★★ 4

Four Stars

Format: Paperback

took a little longer than I expected but overall good quality for a used book .

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Reviewed in the United States on September 24, 2014

R. H. White

New York, US

★★★★★ 4

Unblinking portrait of a childhood in the Jim Crow South

Format: Paperback

Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.

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Reviewed in the United States on February 26, 2000