ASI 7310-24B, Towel Shelf w/Drying Rod, 24

ASI 7310-24B, Towel Shelf w/Drying Rod, 24", Surface Mounted, Bright

Marsoni

M251S

$57.79

Get it in 3 business days with 1 day shipping. Friday, May 29

ASI 7310-24B, Towel Shelf w/Drying Rod, 24", Surface Mounted, BrightThe 7310 24B is an attractive storage solution for towels in the shower areas of commercial washrooms and in hospital and hotel bathrooms. The entire unit is made of 18 8 alloy, type 304 stainless steel. The shelf posts included in the design are fashioned out of rectangular stainless steel tubing that measure 1 2 of an inch by 1 inch in size, while the crossbars are made of round tubing that is 3 8 of an inch in diameter. The unit features an

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Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.

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Reviewed in the United States on April 21, 2002

Verified Purchase

Silvia

West Palm Beach, US

★★★★★ 4

Four Stars

Format: Paperback

took a little longer than I expected but overall good quality for a used book .

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Reviewed in the United States on September 24, 2014

R. H. White

Waukegan, US

★★★★★ 4

Unblinking portrait of a childhood in the Jim Crow South

Format: Paperback

Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.

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Reviewed in the United States on February 26, 2000